Tag: rape

TONIGHT – the Erotic Literary Salon-Live – Study-Pornography, Rape, & the Internet – Self-Published ebooks banned

Academic study supports ebooks and Internet material pushing the boundaries. The following excerpts are from various sources regarding the recent censorship of ebooks by the major book vendors, along with excerpts from the study, “Pornography, Rape, and the Internet.”

Pornography, Rape, and the Internet

Todd D. Kendall*
Clemson University
The John E. Walker Department of Economics July, 2007

The arrival of the internet caused a large decline in both the pecuniary and non-pecuniary costs of accessing pornography. Using state-level panel data from 1998-2003, I find that the arrival of the internet was associated with a reduction in rape incidence. While the internet is obviously used for many purposes other than pornography, it is notable that growth in internet usage had no apparent effect on other crimes. Moreover, when I disaggregate the rape data by offender age, I find that the effect of the internet on rape is concentrated among those for whom the internet-induced fall in the non-pecuniary price of pornography was the largest – men ages 15-19, who typically live with their parents. These results, which suggest that pornography and rape are substitutes, are in contrast with previous laboratory studies, most of which do not allow for potential substitutability between pornography and rape.

VII. Conclusion

The results above suggest that potential rapists perceive pornography as a substitute for rape. With the mass market introduction of the world wide web in the late-1990’s, both pecuniary and non-pecuniary prices for pornography fell. The associated decline in rape illustrated in the analysis here is consistent with a theory, such as that in Posner (1994), in whichpornography is a complement for masturbation or consensual sex, which are themselves substitutes for rape, making pornography a net substitute for rape.

Given the limitations of the study, policy prescriptions based on these results must be made with extreme care. More research on other countries, other time periods, or using other methodologies or datasets is necessary before broad results can be stated with confidence. Nevertheless, the results of this simple study point to what may be important flaws in the previous literature, and suggest that liberalization of pornography access may not lead to increased sexual victimization of women.

Entire Study:

http://www.yapaka.be/sites/yapaka.be/files/actualite/pornography-rape-and-the-internet.pdf

Self-Published Erotica is Being Singled Out For Sweeping Deletions From Major eBookstores

Curiously enough, B&N and Amazon have yet to remove The Bible, V.C. Andrews’Flowers In The Attic, Alyssa Nutting’s Tampa, Judy Blume’s Forever, or Lolita.

Amazon, Barnes & Noble, and WH Smith are taking a radical response to last week’s “news” that they sell boundary-pushing adult content in their ebookstores. They are now deleting not just the questionable erotica but are also removing any ebooks that might even hint at violating cultural norms.

This story began when The Kernel discovered last week that, much to their dismay, Amazon was selling legal adult content:

The books are sold as Kindle Editions, the name Amazon gives to books that can be cheaply and quickly downloaded to its portable Kindle device. Available titles include Don’t Daddy (Forced Virgin Seduction) and Daddy’s Invisible Condom (Dumb Daughter Novelette).

As with “barely legal” pornographic films, which seek to satisfy base urges associated with illegal and immoral acts while circumventing laws against depictions of underage sex, many of the titles listed on Amazon protest loudly that rape victims are “over 18”.

Similarly, the “daddy” rapists in many incest stories are revealed in the small print to be “not blood related”. But few reading the titles of these books will be fooled about the supposed erotic intent of the volumes.

Again, this content is legal.

I had planned to simply ignore this as a non-news story, but the major ebookstores were more concerned about legal self-published erotica than I would have expected. The Daily MailOn The MediaBBC News, and a couple dozen authors on KBoards are all reporting that content is being deleted right and left.

Read entire article:

http://www.the-digital-reader.com/2013/10/13/amazon-bn-whsmith-now/#.Ul02sxZEAts

Amazon removes abuse-themed e-books from store

 

Retailer Amazon has removed several abuse-themed e-books from its Kindle Store after a report highlighted titles depicting rape, incest and bestiality.

Titles such as Taking My Drunk Daughter had been on sale.

Amazon and Barnes & Noble both say they are removing books found by technology news site The Kernel, but many others still remain, the BBC has found.

WHSmith and Kobo, which feature titles with similar themes, are yet to respond to requests for comment.

The BBC found that on Amazon’s store, the search function automatically suggested explicit topics to users typing seemingly innocuous keywords – without age verification taking place.

Amazon has not responded to the BBC’s request for comment on the issue, except to confirm that the specific books listed by The Kernel had been removed.

Barnes & Noble said in a statement the titles were “in violation” of its policy on content offered in the NOOK Bookstore and were in the process of being removed.

“When there are violations to the content policy that are brought to our attention, either through our internal process or from a customer or external source, we have a rapid response team in place to appropriately categorize or remove the content in accordance with our policy,” it said.

Justice Minister Damian Green told the BBC “the government shares the public’s concerns about the availability of harmful material.”

Read more:

WHY AMAZON SHOULD KEEP PUBLISHING RAPE AND INCEST PORN

The online magazine Kernel is after Amazon for publishing pornographic eBooks that fetishize rape and incest.

The books Kernel writer Jeremy Wilson found are awful. If your default position is to support free speech, these are the kinds of titles that make you wince. It’s a lot easier to defend Huckleberry Finn than Taking My Drunk Daughter, Reluctant Brother Blowjobor Forced By Daddy.

So how’d the titles even end up on Amazon? According to Wilson, the authors of the books set up their own publishing houses by registering an ISBN number for a few hundred bucks. Then they upload their work. Amazon doesn’t police its digital publishing platforms in a meaningful way, so the books stay up, even though Amazon forbids pornography.

And these are leagues worse than pornography. These are books that are written to give you, the reader, pleasure while you imagine someone raping a child.

Amazon should ignore Kernel and leave them up.

We outlaw snuff films, child porn and, increasingly, revenge porn, because actual people are harmed during their production. Erotic fiction concerns fake characters who don’t exist in real life. You could argue that entertainment that caters to people’s darkest fantasies makes them more likely to enact them, but the science wouldn’t support you.

Read more:

http://www.onthemedia.org/story/amazon-incest-porn/

 

Tonights Erotic Literary Salon-Live

‘All the Sex I’ve Ever Had’ will be presented along with attendee readings and featured presenter. Details and cover story on reality theater piece are in earlier posting.

http://theeroticsalon.com/blog/special-addition-to-next-weeks-erotic-literary-salon-all-the-sex-youve-ever-had/

 

Tomorrow – Tuesday – Oct 15 – The Erotic Literary Salon – The Do’s And Dont’s Of Writing Erotic Fiction

The Do’s And Dont’s Of Writing Erotic Fiction

Excerpts from Elissa Wald’s column in LitReactor.

Sex is at the heart of what it means to be human. It’s vitally important to nearly all of us. It’s a driving force in our daily lives (even when we’re celibate), and its mysteries are infinite. So it bewilders me that — as a rule — erotica is seldom taken seriously, either by writers or readers. Intelligent, well-written erotica is a rare, rare thing (and I’ve been looking for it all of my life).

I believe that in order to write well about sex, we have to resist the version of sexuality that’s brandished at us every day by the advertising and fashion industry: most especially the idea that we can only be aroused by superficiality and perfection. How can we make sex — on the page as well as in life — less a performance and more a source of communion? How can we go deeper?

The following are some of my own tips for writing erotic fiction:


1. Respect The Genre. Respect The Reader

Bring the same attention and regard to writing about sex as you would to anything else you’d write. Assume the reader wants — and is capable of appreciating — something beyond a jerk-off vehicle. There’s nothing wrong with getting off — I always hope my readers are getting off on what I write! — but I want to affect people between the ears as much as between the legs.

There’s nothing wrong with getting off – I always hope my readers are getting off on what I write! – but I want to affect people between the ears as much as between the legs.

2. Spare The Rod

The throbbing rod, that is, and all other coy euphemisms for body parts. Please don’t tell me about our hero’s member, or manhood, or hard hot tool or battering ram. Likewise, don’t refer to our heroine’s mound or tunnel or the center of her womanhood.

3. Dispense With Cliches

Don’t say that he pounded her like a jackhammer, or that she lay back, spent. Tell me something I haven’t heard before. Make me think about something that wouldn’t occur to me otherwise.

4. Less Is More

Stay away from blow-by-blow descriptions of sex acts. The mechanics aren’t what’s intriguing. The emotional dynamics between people are intriguing.

‘All the Sex I’ve Ever Had’ will be presented along with attendee readings and featured presenter. Details and cover story on reality theater piece are in earlier posting.

http://theeroticsalon.com/blog/special-addition-to-next-weeks-erotic-literary-salon-all-the-sex-youve-ever-had/

 

 

SPECIAL Addition to Next Week’s Erotic Literary Salon – All the Sex You’ve Ever Had

Excited to announce the TALK Q&A this month will feature the reality play ‘All the Sex I’ve Ever Had.” Rochelle Lewis, a regular reader at the Salon, was one of the performers during the FringeArts presentation of this play. She has graciously offered to recreate (with most of the cast) this wonderful play.

Doors to Salon open as usual 6:30, play 7-7:45, attendee readings 8pm

Excerpts from the featured article in Philadelphia Weekly:

The sex lives of old folks  (senior folks)

A Fringe production tells the true stories of local seniors’ intimate relations.

Rochelle Lewis sat down a few weeks ago to begin reviewing the past four decades worth of her own sexual history. It’s helped the 63-year-old put her finger on some important moments: for instance, that day in 1985 when she met the first sex partner she ever considered a real lover.

“Before then,” she says, “it was just fucking. I grew up in the 1960s and ’70s, and there was a lot of sex without context—without content. There was no emotional content, and I don’t think the boys really knew what they were doing.”

Lewis, a Center City resident, is one of half a dozen Philadelphia-area senior citizens who’ll take to the stage this Friday and Saturday in All the Sex I’ve Ever Had, a provocative piece of nonfiction theater revolving around a topic that remains oddly taboo in society today: the intimate lives of folks over 60.

Produced by the Toronto-based performance company Mammalian Diving Reflex as part of the 2013 Fringe Festival, the show is structured almost like a U.N. hearing, with participants sitting before the audience and going through their lives year by year to review the thrills, orgasms and heartaches they’ve endured and enjoyed.

The artistic director behind Mammalian Diving Reflex, Darren O’Donnell, traveled to Philadelphia last month to sit down one at a time with local seniors who were willing to tell their stories onstage. He recorded dozens of hours worth of their reminisces, then sifted through it all to choose the best anecdotes and outlined a show comprising a specific sequence of those stories. “I feel like I’ve fallen into a stream filled with gold,” he says. “It’s so amazing, and it’s so great to hear all of their unique stories.”

The audience will hear from storytellers like Joe, a 63-year-old retired schoolteacher, and Hattie, a 69-year-old retired welfare caseworker. “People are surprisingly sexually active,” O’Donnell says—“both men and women at all ages. At any age, of course, you still have to sift through the normal den of douchebags.”

The participants’ stories represent a remarkable sort of generous honesty that’s unique to older people, the director adds: When it comes to being candid about their private lives, “they understand there’s not much to lose.”
“Look, frankly,” Rochelle Lewis says, “all a woman has to do is spread her legs and get fucked. It’s a no-brainer. But to make love to a woman—or, conversely, for a woman to make love to a man—[we] have to learn how to do this.”

A self-described erotic poet who enjoys one-on-one readings of her works—and produces “smut sheets,” 500-word erotic musings—Lewis warmed to the show’s concept quickly. “People in the audience are going to find the stories funny and poignant and compelling and shocking,” she says. “I hope they take away from it the fact that people over the age of 60 are still viable, still vibrant, and, yes, still having sex.”

And yet for all the blunt honesty—despite the fact that senior-citizen sex is at least as delicate a subject in our culture as adolescent sex, if not more so—All the Sex I’ve Ever Had ultimately isn’t about the lurid details. “While we use sex as the metronome to keep us on track,” O’Donnell says, “it’s all of the other things about life that are most interesting.”

Indeed, while discussing matters carnal, it doesn’t take Lewis long to segue—just like Sigmund Freud—into talk of family history. “It may be that men have to learn not only physical technique but more,” she says. “I hope [audience members] come away with an understanding that you learn over the entire course of a lifetime: You get better, you get worse, you get better, you get worse, you survive the pain. Chaotic families, dysfunctional families—everyone thinks they come from a dysfunctional family, and I think that’s probably true.”

O’Donnell’s initial inspiration for All the Sex I’ve Ever Had came while he was working with a theater in Oldenberg, Germany, where the city’s residents are more habitually physically active than your typical American: “People there have been riding bicycles their entire lives. So I was seeing women in their 70s on bicycles everywhere—and I started conversations with them.” The German seniors’ forthrightness in discussing their life experiences led O’Donnell to the idea of a show in which older people around the world would share similarly—and his Philadelphia interviewees, like others he’s worked with, proved eager to do just that.

“It’s knowledge through experience,” says Lewis. “It’s knowing that things change. Even a marriage, a 50-year marriage—that’s not forever, either! Nothing lasts forever.”

(One cast member in a Singapore production of All the Sex suggested: “The trouble to date men is not worth it, and learning to be a magician is so much more interesting.”)
Talk of love and aging soon unearths a cultural contradiction between the two.

Read more: http://www.philadelphiaweekly.com/news-and-opinion/cover-story/All-the-sex-ive-ever-had-fringe-festival.html#ixzz2hKfykMtQ

Read more: http://www.philadelphiaweekly.com/news-and-opinion/cover-story/All-the-sex-ive-ever-had-fringe-festival.html#ixzz2hKfeAWAw

‘Fear of Flying’ Erica Jong – 40 Year Anniversary

I came across my rather musky copy of “Fear of Flying” recently and memories of the read came flooding back to me. It was a permission giver for many women and reinforced my notion that women were as sexual as men, at least I was. Think I’ll read it again, and see how much my response to her words has changed.

Article in The Washington Post ‘Style’ section.

‘Fear of Flying’ author Erica Jong zips along 40 years after dropping her literary bombshell

By , Published: October 7
Sure, you got your stories that deliver your pop-culture one-liners. You got your “Make my day,” or “I’ll make him an offer he can’t refuse,” or your ironic “Vote for Pedro.”

Rarer is the phrase that catches some of the zeitgeist and holds it there, beating and alive, in its tiny little word count. Here resides “Greed is good” from the cash-obsessed late 1980s; “Big Brother,” from the late 1940s fear of totalitarian regimes; and “Catch-22,” from the authorities-are-idiots 1960s. (Note irony to today’s headlines!)

 Add to these Erica Jong’s 1973 two-word manifesto from “Fear of Flying,” which we can only print as “Zipless F—.”
The ZF — that ’70s icon. The guilt-free, pulse-pounding sexual escapade. Man and woman meet, go at it with glee and gusto, then trot back to their careers, marriages, kids, whatever. And the woman — free, liberated, maybe a little sweaty — owes nobody anything, least of all an explanation.

“The [ZF] is absolutely pure,” exults Isadora Wing, the 29-year-old heroine, in one memorable passage. “It is free of ulterior motives. There is no power game. The man is not ‘taking’ and the woman is not ‘giving’ . . . The [ZF] is the purest thing there is.”

It has been 40 years since “Fear” and its glamorous author landed like feminist blonde bombshells on American culture, selling 20 million copies here and abroad. The book mocked the idea that chaste was something smart women had to be, ridiculed the notion that children were the meaning of a woman’s life, and showed, both by narrative and by example, that the turbulent life of the artist was not only for men.

“I was aware I was committing a rebellious act,” Jong says down the line from her New York office, now 72 and still writing up a storm — essays, memoirs, poetry, fiction. “And I was sure no one would ever read it, no one would publish it.”

Is she kidding? Everybody read this. Women. Men. Teenagers, flipping through their mom’s paperback, looking for the dirty parts. John Updike famously reviewed it, comparing it to “Catcher in the Rye”; Henry Miller, who knew about sex in print, said it would make “literary history.”

It did, for there are two commemorative editions out to mark the anniversary, in both hardcover and paperback. The book continues to serve as a 1970s time capsule and, in its satire of the constraints still felt by professional and artistic women, still inspires.

“It was a cultural touchstone in the way that few books ever were, or can be now,” saysJennifer Weiner, whose own “Good in Bed” caused a sexual stir in 2001, and who wrote the introduction for one of the new editions of “Fear.” “If you asked women [of a certain age] about that book, most of them will have a very clear memory of it.”

Shelley Fisher Fishkin, an English professor and director of the American studies program at Stanford University, rates it as a direct descendant of Walt Whitman, in celebrating the body — but, in this telling, a woman’s body.

“It wasn’t unusual to have sex talk in a book,” Fishkin says. “It was unusual to have it in a woman’s head, in a woman’s point of view.”

http://www.washingtonpost.com/lifestyle/style/fear-of-flying-author-erica-jong-zips-along-40-years-after-dropping-her-literary-bombshell/2013/10/07/23fb65f8-29ce-11e3-b139-029811dbb57f_story.html