Tag: dance

Reminder-Tuesday-February 21-The Erotic Literary Salon-Live/Adult Sex-Ed Salon-Lonely Hearts Club

Monica Day will be the evening’s featured reader. She is the host and leader of The 300% Life: An Unusual Unconference, and it’s a dynamic, multi-sensory experience that wakes you up to your biggest life, and shows you how to live it fully, creatively, and powerfully. March 9-12 in Philadelphia. Monica is offering a special discount to the Erotic Literary Salon Community. Use code SALON300 to claim discount. http://monicaday.com/events/

Museum of Art tourism destinations

Philadelphia Museum of Art – Lonely Hearts Club:

Friday, February 24, 2017
5:00 p.m. – 8:45 p.m.

Love is a battlefield. Music, art, and theater help soothe your soul.

Art Making: Love Notes  
5:30-7:30 p.m.
Book artist Colette Fu shows you how to create your own pop-up cards. Make some love—or anti-love—themed cards to give your friends, partner, an ex, or yourself. She’ll have patterns available for all ages and levels, just come with an open heart.Silent Disco with Silent Philly 
5:30-8:00 p.m.
Silent Philly is in the house-grab some headphones and fill the galleries with song and dance.Detour: Timaree Schmit  
5:45 p.m. & 6:30 p.m.
Sexologist Timaree Schmit believes that rational, empirically based sex-ed is the basis for social justice. View three selected works of Duchamp through the lens of sex positive feminism and sexology.
The Museum offers free, daily guided tours on a number of topics. Pick up a Today handout for more information.Musical Act: Eliza Hardy Jones  
5:45 p.m. & 7:15 p.m.
Hardy is a classically trained pianist who’s recently made the leap to the electric landscape. This Philadelphia native has played with Buried Beds, Nightlands, Strand of Oaks, and Grace Potter, and has just debuted her solo album, Because Become. Tonight she plays two sets: the first one as an acoustic solo and the second one with her full band.In-Gallery performance: Revolution Shakespeare presents “Love Hurts”
6:15 p.m. & 7:30 p.m.
What’s the only thing worse than not being in love? Being in love. Many of Shakespeare’s characters grapple with the thorniest emotion of them all and lead us to ask the eternal question: Is having a date on Saturday night really worth all the drama?

Free Sample-Orgasm Command-Erotica Audiobook, Next Tues-Jan 19-The Erotic Literary Salon-Live

Irene Reinke will dance while balancing this scimitar on her head.


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Remote control vibrator in sync with erotica books. My friend Essemoh Teepee narrates his ebooks, free sample of Orgasm Command (He has an unbelievably sexy, British accent.)

DESCRIPTION

Recommended For Women

Narrated by Essemoh

Come hard for me now! Let ‘The Master’ guide you on a journey of pure pleasure. You can try to resist your lover’s command if you want, but it is futile. Besides, why would you want to? Writhe, beg, plead but you will give in and be very glad that you did. Part of the Original DEV series, this early audio helped shape DEV© into the pleasure powerhouse it is today.

 https://www.vibease.com/erotica/esensualbooks-co-uk/orgasm-command

Reminder – Next Tuesday, January 19 – The Erotic Literary Salon-Live

Featuring Fusion Tribal Belly Dancing and Flamenco – Sword Dance by Irene Reinke.

Tuesday-Dec 16-The Erotic Literary Salon-Live, FREE Documentaries, Dancing Outside The Box

David Block, a legally blind documentary producer/director and freelance journalist, reads occasionally at the Salon. He would read more often, but recently he has been attending Temple to receive a Master’s Degree in Journalism. http://www.blindfilmmaker.com

Profile of David Block, Documentary Filmmaker, Journalist, and Writer

Intro: David Block is a legally blind award winning filmmaker and journalist who has worked in this business for over 20 years. Read his story to find out how a person with limited vision can succeed in this highly visual craft.

David Block on the set reading a notebookThe Story: I am David Block, a freelance journalist, a documentary producer/director and ghost writer. What I do career-wise on any given day depends entirely on what I’m working on or who I have to interview. There are some days when I have little to do and others when I’m incredibly busy as tasks vary from assignment to assignment. A good example is The Penn Relays. Every April I cover this competition, which is one of the world’s greatest track events. It is the oldest and largest track and field competition in the United States, hosted annually since 1895 by the University of Pennsylvania. Before, during and after this well known event I’m heavily focused on interviewing specific track stars.

Legendary comedian and entertainer, Bill Cosby, is a huge fan of this event and is very supportive. He attends more often than not, helps out and participates in some of the events. When he is there, I try to catch him for an interview. Then when I go home, I have to get certain track coaches on the phone to verify their athletes’ finishing times and places before writing up the story.

On days I’m making a documentary, the days that my crew and I shoot are quite hectic. My interview questions have to be polished and I have to make sure that we have the right equipment to shoot. I arrange for the crew to meet at a specific spot and time so we can travel together to where we are filming. After shooting the documentary, some of my days are long and hard because using the raw footage from the shoot, I have to transcribe every word the interviewees uttered. I do this so I will know what shots and quotes will work well in the film and what shots and quotes should not be considered.

Unlike with many jobs, my work days are unpredictable. Sometimes, I’m too busy to sneeze and other times I can sleep late. Since I am always on the move you could say that I have a mobile office. Most of my work is either done interviewing people in person, on the phone or while out shooting the documentaries.

Producing/directing, interviewing for articles and ghostwriting are very different kinds of work even though they all involve a lot of the same skills such as good interpersonal abilities and writing. These different assignments require a somewhat different way of interacting with the individuals with whom I’ll be working. When I write articles, I have to get an editor’s permission to write the story on spec. From the time I get the editor’s permission until I submit the article, I’m on my own. I try to have little contact with the editor who gave me the green light to write the piece. Editors are busy people and I fear that calling them too much could hurt my chances of continuing a working relationship. Therefore, I don’t really try to know the editor on a personal level, only professionally. My key objective is to get my story published not to make friends.

Filmmaking is a different story. I don’t put ads in the paper looking for crew members. I only hire people I either know or have heard about from individuals I trust. This effort is done through networking. When I find someone I think I can work well with I’ll interview them, learn about their past work experiences and get to know them a little. Just the opposite of how I would interact with an editor.

Being a ghost writer involves only the person who hired me. As with the editors I work for, while working for the person I’m writing for, I try not to strike up friendships because that might interfere with our work. It is better to maintain a professional stance.

Unlike someone who went out, found a job and now shows up at work from 9 to 5 knowing what they will be doing every day, I am out looking for assignments all the time. As a freelance writer, I approach editors with many story ideas. If they like them, they’ll hire me. As a ghost writer, people have come to me and hired me. These were people who knew my work and trusted me to tell their story. When it comes to making documentaries, I keep a list of people I have interviewed for articles and may go back to them to ask if I can include them in my film.

Sometimes making a documentary or working with a specific person on a film can lead to making yet another documentary and another job for someone. Here’s how it works. When I made my roller derby film, I truly liked working with my sound person. I knew that her friend was a good camera person and production manager, so I approached both her and her friend to work with me on my next film, which was about wheelchair users dancing with fully able bodied people. Had I not worked with the sound person on my roller derby film, I would have hired neither of them to work with me on my wheelchair dance film.

David Block holding a ball, teaching children to play goalballAnother example is when I made my documentary about goalball, a sport that blind people play, making that film caused me to want to document other sports blind people play. And that led to another documentary, which was about blind athletes, not just goalball. So you can see that ideas are connected and feed off of each other.

Writing articles can lead me to make a documentary about the same subject. I covered the 10K race Brian’s Run, for Runner’s World Magazine for nearly 10 years before deciding to make a documentary about the race. Because of my network that was created during this time period, it was easy for me to get the potential subjects to allow me to interview them because they already knew me. They believed I would turn out a good film and I did.

When I interview people, the only thing I use is a tape recorder. It’s simple and ensures accuracy of the conversation and translation when I write the article. A recorder is convenient, easy to transport and keeps me from having to type everything on a note taker while listening and talking. When I write my articles or do prep work for my documentaries, I enlarge the font size on my computer for easier viewing. If I have to read a lot of material about a potential interviewee, I do this using speech output on Zoom Text. Basically, these are the only accommodations I use to do my job.

Although I dislike transcribing interviews from recordings because it is tedious, transcribing is essential when I write articles because it prevents me from misquoting anyone and is a documentation of what was said by whom. Sometimes a person may say that I misquoted them, but then when I show them the transcript and play back the interview the only position they can take is to agree that such and such a thing was said.

For documentaries, I have to write out the time codes. By doing this I know, for instance, that a bad line was at 5 minutes 23 seconds to 5 minutes 28 seconds tape 5 and I will know not to refer back to that segment. If someone gives me a good quote such as, “At roller derby practice we jump over each other” and I want to use that sound bite, I’d have to know where it was located. Doing that, I would know that the best jump shot would be (hypothetically) tape 1 12:02 – 12:05. I don’t like logging or transcribing because the tasks are long and endless. However, I know that it needs to be done in order for me to have a good finished product. Doing the tedious work is worth getting to see my articles in print and my documentaries shown on the screen in front of audiences. This is the part of my job I love, it’s the reward. It makes doing the parts of my job I don’t necessarily enjoy worthwhile.

David Block receiving an awardSome of my films have a distributor while I do the work with others using different methods to raise awareness of the films. Approaching schools and public/special needs groups about purchasing them is one way, submitting them to be screened at film festivals and disability conferences is another way. Facebook is also a good way of publicizing my work. When people go there, they can see some of my documentaries for free. This has not prevented me from selling copies of them. To summarize, my work gets to the public through a distributor, TV, film festivals, disability conferences, social media and my website.

If you want to make a film, avoid falling in love with any of your footage. That is a common mistake novices make. The same goes for writing. You can’t fall in love with your words. What might sound good to you could sound awful to other people so be prepared to listen to feedback and make changes as you go.

To do well in a career like mine, a person has to truly want to be a journalist or documentary producer. To succeed, you can’t let people discourage you. Even with a good education don’t expect to get rich. Sometimes, I’ve made decent money, but not often enough. My love of the work is greater than my concern about how much I get paid. That’s why I’ve been in these particular fields for over 20 years. I love my craft. Choose well when it comes to deciding what you want to do and you’ll love yours too. http://www.afb.org/info/living-with-vision-loss/for-job-seekers/our-stories/writing/documentary-filmmaker-journalist-and-writer-profile/12345

 

Culture Unplugged a free documentary website, where you can find some of David’s work and at youtube. https://www.youtube.com/channel/UCHfkHcSTnHJTTijtiVgZw4Q

http://www.cultureunplugged.com/documentaries/watch-online/festival/films.php#view=thumb&page=1&listType=entries&genreId=10

April 2 – The Femme-mynistiques – Tonight

Host kick-off event for the Poet-Tree En Motion Spring Performance Series:

Press Release

Philadelphia, PA – Local artist Gabrielle de Burke’s seasonal series, Poet-tree En Motion, will be held at The Rotunda in West Philadelphia this spring, hosting Wednesday night performances April 2nd, May 7th & June 4th. Events begin at 7pm and include performances from a range of Philadelphia local artists, including April’s featured act, The Femme-mynistiques. Together, The Femme-mynistiques are a righteous storm creating a innovative niche on the music scene with their awe-inspiring original fusion of Lyrical Poetry, Omnipotent Raps & Siren Vocals set to dynamic variety of conscious hip hop, tribal house, down-tempo & electronic music.

“Then, just when you think you’ve had all the stimulation and estrogen you can take, local lady trio the Femme-Mynistiques will enchant you with their mystical vocals…”

-Philadelphia Weekly

 

The Femme-mynistiques are a unique force bringing together the skills of Plum Dragoness, Lady Omni & Alexa Gold. Performances blend their respective skillfulness in music production, dance choreography, theater arts, poetry as performance and song writing into an illuminating blend of ancient rites that celebrate the modern spirit of freedom, unity and love.

 

The Femme-mynistiques Host kick-off event for the Poet-Tree En Motion Spring Performance Series

 

April 2nd, 2014!

 

(continued)

 

Rarely will you find a group like this, powerfully present, aesthetically pleasing, keepin’ it real and esoteric and fun. These three women set the stage on fire every time they grace it with their musical stylings…”

Nicole Connor (Performance Artist)

 

As participant and host of this ongoing seasonal event known as the Poet-tree En Motion performing arts series, Plum Dragoness’ collaborative community outreach encompasses the energy of the entire series as an inventive source of life for the multi-dimensional hub of talent alive in the Philadelphia area. Poet-tree En Motion works to inspire both artist and audience to connect and work together towards cultivating the arts community in Philadelphia, welcoming artists of all kinds to experience performances local to the neighborhood, and offering the opportunity at each show for community participation to sign-up in the all-genre open mic/stage component of the events. This event series features a variety of dance/movement/theater mediums, live electronic/acoustic music, vocalists & poetry/spoken-word presentations, circus/fire/flow arts performances, community art creations, live painting & VJ projections…& more!}

 

The upcoming April 2nd, Poet-tree En Motion event celebrates “the feminine mystique,” presenting a program of all female artists, featuring fresh beats and lyrical poetics from The Femme-mynistiques. In honor of The Femme-mynistiques, DONATIONS will be accepted @ Door & RAFFLE tickets will be sold for Prizes (Art/Goods/Services) to help fund their recording project for the debut EP “Here She Comes…!” Supporting acts range from live vocals, music & painting to visual projections, word-smithery/story-telling, flow artists & tribal belly dance that includes; Angela Williams, Ayumi Perry, GhettoSongBird, Irene Reinke, Lux Arati, Jan Jefferies & Marcy of Mind Over Matter (M.O.M.), Monica Day, Naeemah Maddox, Nicole Cirone, Rachel Rota, VJ Spooky & Kaleema Poles. Check the venue or artist websites or facebook groups & event details on May 7th; Spring Fire Lights the Night & Lunar Celebrations & June 4th; Summer Festivities & Plum Dragoness Annual Fundraising Auction (performers TBA)!

 

Visit The Rotunda’s website (www.therotunda.org) for more details on this year’s spring series & Join the Facebook Group to find Events for Poet-tree En Motion (www.facebook.com/groups/116980678334215)!

 

 

For information on The Femme-mynistiques visit:

www.TheFemmemynistiques.com

 

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Media enquiries please contact dragoness@earthtones.com