Category: Slideshow

Blog Tour – “Smut Alfresco” – edited by Lucy Felthouse & Victoria Blisse

Sex in the great outdoors is the theme of this erotic anthology, edited by Victoria Blisse and Lucy Felthouse.

From the dramatic gritstone escarpments of Derbyshire’s Peak District, to a quiet caravan site in deepest Wales, Smut Alfresco has it all. Whatever your interpretation of frisky outdoor fun, there’s something nestling between the covers for you.

Sexy woodsmen, daring couples, rock stars, cougars, map enthusiasts, mattresses, ex-lovers, tour guides, hunky sheriffs and nature reserve rangers all appear in this hot collection of stories from erotica’s finest authors.

Includes stories from: Violet Fields, Demelza Hart, Victoria Blisse, Jacqueline Brocker, Wendi Zwaduk, K T Red, Tilly Hunter, Bel Anderson, Lucy Felthouse, Kay Jaybee, Tenille Brown, Cass Peterson, Jenny Lyn and Nicole Gestalt.

Available from:

Other links added here as they become available:


Being Free

By Lucy Felthouse

Violet slammed down the lid of her laptop with far more force than was necessary. She flinched, thinking perhaps she might have cracked the screen or broken one of the machine’s internal components. Then she shrugged, realising she didn’t care if she had. It was her work’s computer, after all, not hers. If it was fucked, they’d have to replace it. And it would serve them right, too. Bastards.

The reason she was pissed off was the fact she was in work at all. It was Saturday, and the previous afternoon her useless boss had dumped a project on her, stating it had to be finished by Monday, no matter how long it took. He’d then added that he was going away for the weekend, meaning it was all down to her. The selfish, disorganised wanker. It wouldn’t be so bad, but she hadn’t had a pay rise for two years, and when she went above and beyond for her job, she didn’t get so much as a thank you, let alone be paid any overtime. It wasn’t the first time something like this had happened, either.

Well, fuck them. She wasn’t going to be a doormat—or her boss’ scapegoat—any more. Let them try and sack her—she wasn’t doing anything remotely wrong, and they couldn’t make her working life any more hellish than it already was.

She stood up sharply, sending her swivel chair careening backwards across the room until it hit the wall. She shrugged again, she still didn’t care. Let it chip the fucking paintwork, or a bust a hole in the plasterboard. No one else was there, so nobody could prove or disprove that it had been an accident.

Pausing to switch the lights off—she was pissed off at her employers, not the environment—she left the offices, setting the alarm before closing the door behind her. Stuffing her access swipe card into her handbag, she heaved a sigh of relief. There would probably be hell to pay for her stunt on Monday, but she’d worry about that then. Right now, she was just desperate to get out. Into the countryside, or, given she was in central London, to a green space, at the very least.

From where she worked, Green Park was probably the closest, but she figured Hyde Park and Kensington Gardens were bigger, so she’d be more likely to find a secluded spot where she could just be by herself. The last thing she needed now was to have to deal with other people.


Links: and

How to Write Erotic Fiction and Sex Scenes – Ashley Lister

Newly published book on writing erotica and sex, haven’t read it yet but will do soon. Once you have written your work, Sharazade’s post on “What do Editors Look for? is a must read. She should know, she’s an editor.

What do Editors look for? Sharazade

1) Do your research. Only submit a query or a manuscript to an appropriate publisher. That means you familiarize yourself with their current published works—reading some, if at all possible—and make sure you know what sorts of things they publish. If they only publish ebooks, don’t insist on a paperback. If they publish mainly erotic romance, they’re probably not going to take your edgy tale of non-consent. If you’re not sure, of course you can ask—but your questions will come off a lot better if you clearly know who they are. A publisher can tell when you’ve just gotten a list off the Internet somewhere and cut and pasted the same submission letter to each one. And that’s not really more efficient for you, because it’s going to lead to more confusion and rejections.

2) Submit what they ask you to submit. If they want a query letter first, send a query letter first. If they want two sample chapters, send two sample chapters—not one, not the whole book. You are not a special snowflake. Follow the directions.

3) Submit how they ask you to submit. Some publishers don’t want attachments. Some only want attachments. If they want Times New Roman, 12 point, then use that. If they want it hand-written with pictures of clowns on odd-numbered pages, then do that if you want to be published by them. If you don’t find yourself willing (or able) to comply with their query or submission process, you’re not going to want them to handle your book. (If they don’t say at all, then you can’t go wrong with Times New Roman, 12 point, ragged margins, double-spaced, in a Word .doc or a .pdf. Don’t do the clowns thing unless asked.)

Three more pointers:


Video – Venus in furs: Exploration of Sexuality

Venus in Furs – Sadomasochism & the Limits of Sexuality: The Institute of Art and Ideas – TV

The Debate: “Accounts and depictions of violent sex have thrilled and appalled us since Sodom and Gomorrah. The internet has given it a new twist, lifting the veil on human sexuality and normalising behaviour previously thought scandalous (BDSM, sadomasochism). Should we encourage the exploration of sexuality without limits or is their value in constraint?”                                                          Video:

Titian: Venus with a Mirror

“Venus in Furs” plot summary in Wiki:
The framing story concerns a man who dreams of speaking to Venus about love while she wears furs. The unnamed narrator tells his dreams to a friend, Severin, who tells him how to break him of his fascination with cruel women by reading a manuscript, Memoirs of a Suprasensual Man.
This manuscript tells of a man, Severin von Kusiemski, who is so infatuated with a woman, Wanda von Dunajew, that he asks to be her slave, and encourages her to treat him in progressively more degrading ways. At first Wanda does not understand or accede to the request, but after humouring Severin a bit she finds the advantages of the method to be interesting and enthusiastically embraces the idea, although at the same time she disdains Severin for allowing her to do so.
Severin describes his feelings during these experiences as suprasensuality. Severin and Wanda travel to Florence. Along the way, Severin takes the generic Russian servant’s name of “Gregor” and the role of Wanda’s servant. In Florence, Wanda treats him brutally as a servant, and recruits a trio of African women to dominate him.
The relationship arrives at a crisis when Wanda herself meets a man to whom she would like to submit, a Byronic hero known as Alexis Papadopolis. At the end of the book, Severin, humiliated by Wanda’s new lover, loses the desire to submit. He says of Wanda:
That woman, as nature has created her, and man at present is educating her, is man’s enemy. She can only be his slave or his despot, but never his companion. This she can become only when she has the same rights as he and is his equal in education and work.

Nude Men from 1800 to Today – Austrian Museum

In the U.S. we equate nudity with sexuality, almost an automatic response. I was raised in the U.S. by Austrian parents. Nudity was quite common in our household, but the word sex never crossed my parents lips – certainly not in front of me.

“Associated Press/Ronald Zak – In this Monday, Feb. 18, 2013 photo, Naked Museum visitors look at pictures of the show “Nude Men from 1800 to Today” during a special opening to friends of nudism at the Leopold Museum, Vienna, Austria. The show “Nude Men from 1800 to Today” opened its doors from 19 October 2012 to March 4,2013, looking at how artists have dealt with the theme of male nudity over the centuries. (AP Photo/Ronald Zak)”

nude men

from 1800 to the present day

19 October 2012 – 04 March 2013

Previous exhibitions on the theme of nudity have mostly been limited to female nudes. With the presentation “naked men” in the autumn of 2012 the Leopold Museum will be showing a long overdue exhibition on the diverse and changing depictions of naked men from 1800 to the present.

Thanks to loans from all over Europe, the exhibition “naked men” will offer an unprecedented overview of the depiction of male nudes. Starting with the period of Enlightenment in the 18th century, the presentation will focus mainly on the time around 1800, on tendencies of Salon Art, as well as on art around 1900 and after 1945. At the same time, the exhibition will also feature important reference works from ancient Egypt, examples of Greek vase painting and works from the Renaissance. Spanning two centuries, the presentation will show different artistic approaches to the subject, competing ideas of the ideal male model as well as changes in the concept of beauty, body image and values.

Great photo from Leopold Museum site:

Excerpts from article on show in yahoo ne